The second floor of the museum is an art gallery. A large section is dedicated to Oscar Howe, the Sioux artist I posted about previously. The museum displays bronzes by Remington and Russell, plaster casts of Gutzon Borglum’s miniatures of the faces destined for Mt. Rushmore, work by Western painter Harvey Dunn, and the model created by sculptor James Earle Fraser of his most widely circulated work—the buffalo that graced the buffalo nickel (though the statue End of the Trail is better known, and Washington, D.C. would not look the same if he had not decorated so much of it). For Charles Hargens, there is a display of his art studio, as well as a gallery of original paintings and illustrations. Hargens was best known for recreating the West for such magazines as the Saturday Evening Post, Colliers, McCall’s, Boys’ Life, and more (and whose prints and posters you can still buy online).
Through the splendid bookstore, and then outside, where Rod Brown led me and a handful of other visitors through the four historic buildings that have been moved onto the museum’s property. We toured the 125-year-old Methodist Church (still used for special events and weddings), a prairie schoolhouse (the one-room variety), a train depot (Milwaukee Line came through here), and ended up at Beckwith House. This handsome, Victorian confection was built for Louis Beckwith, the enthusiastic booster who got Mitchell to build the original Corn Palace in 1892. Wagons, a tractor, and other memorabilia are scattered around the site, to add to the sense of history. Great fun.
If you do find yourself in Mitchell, this is another worthwhile stop.